Jura

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The Synth of '82 - Redefined for your Future Hits

In the synthesizer industry, something truly remarkable occurred in 1982 when a Japanese legend was developed. It was one among the synths that contributed to the 1980s' distinctive sound and was utilized by numerous successful musicians, including The Eurythmics, Cyndi Lauper, and Aha. It's more popular than ever, and artists like Charlie Puth, Tame Impala, and the Weeknd have used it on their hits.

Sweet Dreams

The 80s synth's original sound has been painstakingly reproduced by AIR Music Technology for you. But that's just the beginning; they intended to expand on the myth and adapt it to contemporary music production processes.

Take On Me

Since AIR's team is made up of audio experts and they precisely developed the sound, you naturally receive all the analog goodness of the original. It features a single DCO, a powerful sub oscillator, an unmatched VCF, and, if you want it, loads of THAT chorus!

They provided two workflows: the traditional front panel design and a longer, more contemporary UI that gives you even more sound-tuning options. Under the hood, there's some audio extras. Two DCO noise types - modern and vintage - as well as saturation and drive are included in the VCF. To assist you further refine the ideal sound, there is an additional envelope that wasn't present in the original. The chorus is accompanied with a strong delay, reverb, and EQ circuit.

Time After Time

Simply put, Jura combines the iconic sound of a '80s synth monster with some seriously awesome current workflow improvements to give you the best of both worlds.

The included MPC/FORCE standalone versions give you the full touch control hardware experience. Jura is the traditional synth for contemporary music production. The characteristics of tomorrow with the sounds of yesterday. The 1982 synthesizer redesigned for your upcoming hits!

Specs

• Switchable between classic / expanded controls

• Oscillator section with pulse, saw, sub and noise waveforms: create classic pulse width modulation sounds using manual control, LFO or one of two envelope modulation sources

• Filter section including VCF section with cutoff, resonance, saturation and drive: filter modulation via invertible envelope; LFO, keyboard and velocity tracking, high Pass Filter (HPF) filter control

• VCA section with gate / envelope modes, plus velocity tracking

• Two ADSR envelopes

• BPM syncable LFO: 8 shapes including two random generators; speed, delay and ramp controls, re-sync and manually triggerable via

• LFO trigger button

• Classic Juno Chorus section: three modes with mix control

• Delay section: up to 2 seconds of delay, BPM syncable, comprehensive feedback and resonance section, high pass, L/R ratio    and width controls

• Reverb section: Pre-reverb high and low pass filtering, pre-delay, diffusion, decay plus high & low damping controls, octave shimmer effect with feedback control, reverb modulation depth and rate controls, width control

• 3-band EQ section

• Analog character knob

• Detune-able unison and editable chord modes

• Modulation wheel and pitch-bend controls

• Glide controls

• Arpeggiator