The natural horn is the predecessor to the modern French horn and has neither finger holes nor valves. As a result, only natural tones according to the harmonic series can be produced by adjusting the embouchure and changing lip-tension. What’s more, the technique of stopping – the left hand is inserted in various depths and angles into the bell – allows for fine tuning the off-pitch tones and even producing chromatic notes that are not part of the harmonic series.
In order to play (harmonic) scales in differing keys, various tuning slides have to be used. Early composers had to provide sufficient time for changing and inserting various tuning slides into the instruments when scales and keys changed in the music. So by the end of the 19th century, as music became increasingly chromatic, the natural horn was replaced by more advanced valved instruments. The natural horn imposes considerable demands on the player, especially when compared to the modern French horn, but the extra effort is rewarded by a unique and particularly noble sound.
As a user of Historic Winds III, you’ll reap the benefits of the natural horn’s confident tone, without having to worry about the challenges of performance.
For Historic Winds III the Vienna team captured a natural horn with ten different tuning slides (B basso, B alto, C basso, C alto, D, Eb, E, F, G, A) for utmost flexibility. The soloist was Marcus Schmidinger who performed all of the horn instruments in Vienna’s Brass I and Brass II Collections and also contributed to the Dimension Brass series. Apart from basic articulations and Performance Elements this Collection also provides fast Interval Performances in legato and marcato styles, Performance Trills, arpeggios (major, minor, and diminished in legato and staccato) as well as ornamental mordents.
|Standard Library||Full Library|
|Sample Amount / Anzahl Samples||28,482||-|
|Download File Size / Dateigröße des Downloads||7.3 GB||-|
|Installed File Size / Installierte Dateigröße||12.7 GB||-|
The following reviews have been placed by customers who also bought this product from us. All reviews are provided through eKomi, Europe’s largest independent customer review company.
Klingt wie alle anderen VSL Produkte sehr natürlich und es bringt eine Menge Spaß damit zu spielen.
Your purchase of any VSL library entitles you to download the free Vienna Instruments Player software that includes the Vienna Ensemble mixing host.
• PC Windows 7 (latest Service Pack, 32/64-bit), Intel Core 2 Duo or AMD Athlon 64 X2
• Mac OS X 10.8 (latest update), Intel Core 2 Duo
• 2 GB RAM (4 GB recommended)
• ViennaKey (Vienna Symphonic Library USB protection device) or other USB eLicenser (e.g., from Steinberg or Arturia)
• eLicenser Control Center software (get the latest version from www.eLicenser.net)
• free hard drive space according to This Library Size Chart
Other configurations might work but are not actively supported.
• PC Windows 7 (latest Service Pack, 64-bit), Intel i5/i7/Xeon
• Mac OS X 10.8 (latest update), i5/i7/Xeon
• Fast separate hard drive (7200 rpm or faster)
• AU/VST/AAX Native/RTAS compatible host (also works stand-alone)
• RTAS version requires Pro Tools 7.3 or higher
• 88 key master keyboard
Vienna Instruments require the ViennaKey!
This USB protection device by eLicenser (by Steinberg, formerly Syncrosoft) is not included in the box of any collection, it is a separate item you have to get additionally. So you’ll have to order at least one ViennaKey with your first purchase. It will be put inside the shopping basket automatically but can be deleted if not required. Customers who order the complete SYMPHONIC CUBE will get one ViennaKey for free (not shown in the basket). If you already own another eLicenser USB protection device (e.g., from Steinberg or Arturia), you can use it for the VIENNA INSTRUMENTS, too. Each dongle can store up to 100 product licenses.
Additionally an internet connection on any computer is required to authorize a VSL product.