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Vienna MIR 3D RoomPack 5

Vienna MIR 3D RoomPack 5

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MIR 3D RoomPack 5 – Pernegg Monastery

MIR 3D RoomPack 5 features spatial models of the historic monastery church of Pernegg, a small village situated in the north of the “Waldviertel” region (Forest Quarter) of Lower Austria, near the Czech border. The history of Pernegg’s monastery dates back to the second half of the 12th century when Premonstratensian nuns resided there. Its well-fortified “Saint Andrew” church was built between 1500 and 1520 at the center of this complex, as excavations and the uncovering of frescos proved during the building’s first restoration in the 1960s (after being heavily damaged in the last months of World War II). The organ by Michael Prackh was installed in 1654 and is still in use today.

Pernegg Monastery Building

The open-form type of this late gothic pilaster church is rarely found in this part of Europe. The five-sided choir apse and nave are unencumbered by pillars and contribute to the extraordinary acoustics of this architectural rarity. Its secluded location and the very balanced, clearly defined, but never overbearing acoustics make it an ideal environment for musical performances and recordings. Uniquely situated in a deep forest, the absence of surrounding noise is a rare feature, for which many artists gladly endure the long journey through the dark woods of this old borderland. For example, the British label Hyperion has published a series of recordings in the Pernegg monastery church with the vocal ensemble Cinquecento, and Austrian violin virtuoso Julian Rachlin and his friends play concerts here on a regular basis.

Pernegg Monastery Inside

We’ve captured the acoustics of this church for Vienna MIR Pro 3D from four different microphone positions; microphone 1 is positioned near the center of the altar, microphone 2 in front of it, and microphone 3 in the middle of the nave. Microphone 4 is positioned very near the choir gallery in the back of the nave, at a height of approximately six meters (20 ft). To get an idea of possible “stage areas” please have a look at the Venue Maps! It is also worth mentioning that there are two balconies in this nave – the lower one with the choir stalls, and the upper one housing the organ. Both are available in Vienna MIR Pro 3D. The possibilities of placing instruments are expanded further by two additional HotSpots in the cloisters on the left and right sides of the choir.

All in all, nearly 5,000 Impulse Responses have been gathered to virtually recreate the acoustics of this building. The average length of the impulse responses is about 6 seconds, with the average reverb time about 3.8 seconds.

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The following reviews have been placed by customers who also bought this product from us. All reviews are provided through eKomi, Europe’s largest independent customer review company.

5.0 of 5  
26.11.2023 Sprache: deutsch

Best forever

5.0 of 5  
11.02.2023 Sprache: deutsch

Ich nutze Pernegg bei meinen Aufnahmen im Regelfall lieber als Straßengel oder Steinhofkirche. Der Nachhall von 3,8 Sekunden ist für Aufnahmen mittelgroßer Orgeln fast perfekt - mittelgroße oder kleinere kommen überzeugender als große Orgeln, da es eben keine Kathedrale ist. 4,5 bis 5 Sekunden und der Raum wäre ideal. Bei der Steinhofkirche verschwimmt alles wieder sehr, so daß ich auf 6 oder 5 Sekunden Nachhall runterregeln muß und aufgrund der Bauform sind die Reflexionen nicht so schön.

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For smaller projects (e.g., users of the Vienna Special Editions):

Mac:

  • macOS 10.14 or higher
  • 64 bit
  • Intel i7 Quad or higher
  • RAM: 12GB

Windows:

  • Windows 10
  • 64 bit
  • Intel i7 Quad or higher
  • RAM: 12GB

For larger projects

Mac:

  • macOS 10.14 or higher
  • 64 bit
  • Mac Pro 8-Core Xeon 5520 "Gainstown" or higher
  • RAM: 24GB

Windows:

  • Windows 10/11
  • 64 bit
  • Intel Quad Xeon 5520 or higher
  • RAM: 24GB
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