Novachord + Solovox

Vorläufer der modernen Synthesizer

Die Novachord + Solovox Collection emuliert zwei frühe elektronische Instrumente, die Vorläufer der modernen Synthesizer waren. Novachord basiert auf dem revolutionären polyphonen Instrument aus dem Jahr 1939, während Solovox ein verwandtes monophones Tasteninstrument nachbildet, das orgelähnliche Leads liefert. Diese äußerst seltenen Instrumente setzten Maßstäbe für die Klangerzeugung und Synthesetechniken, die auch heute noch die elektronischen Musikinstrumente beeinflussen.

Novachord + Solovox Features

Novachord + Solovox ist ein Bundle, bestehend aus zwei individuellen Instrumenten zu einem günstigen Preis, die als separate Downloads zur Verfügung stehen und sowohl als Standard-DAW/Host-Plugin als auch als Standalone installiert werden können.

Weitere Details in englischer Sprache:

Novachord

• 32 polyphonic voices, synthesized not sampled
• Three Resonators: a resonant bandpass filter network operating consecutively in low (400 Hz), mid (800 Hz), high (2000 Hz) frequency ranges
• Deep Tone setting for the tone generator signal, with a one-pole (6dB per-octave slope) lowpass filter with a fixed frequency of 160 Hz
• Brilliant Tone setting for the tone generator signal, with a one-pole (6dB per-octave slope) highpass filter with a fixed frequency of 2000 Hz
• Full Tone setting controls the amplitude of the dry (no filters applied) tone generator signal
• Tones routed in parallel to all of the filters, processed and then summed together to create a composite tone
• Attack knob with seven Attack/Decay/Sustain envelope options, from Slow to Fast, with sustain-pedal controlled release (approximately3.5 seconds)
• Depth controlled vibrato with two options: Vibrato I as used in the earliest Novachord models, and Vibrato II as used in later Novachords
• Reverb effect with Room and Hall algorithms to emulate the standard Novachord amp and speaker combo
• 56 presets covering Basses, Keys, Pads, and Strings, by Director of Sound Design James Terris

Solovox

• Faithful virtual analog emulation of the monophonic 'keyboard attachment' instrument 
• Combinable Bass/Tenor/Contralto/Soprano switches to set note range in octaves, like modern synthesizer footage settings
• First Voice and Second Voice two-pole bandpass filters with level controls and variable center frequencies of 400 Hz and 800 Hz, respectively
• Deep Tone setting for the tone generator signal, with a one-pole (6dB per-octave slope) lowpass filter with a fixed frequency of 200 Hz
• Brilliant Tone setting for the tone generator signal, with a one-pole (6dB per-octave slope) highpass filter with a fixed frequency of 2000 Hz
• Full Tone setting controls the amplitude of the dry (no filters applied) tone generator signal
• Adjustable Glide and fixed-rate Vibrato
• Mute control to filter harmonics from the oscillator voice
• Reverb effect with Room algorithm to replicate the standard Solovox amp and speaker combo
• Glowing vacuum tubes respond to the volume setting of each filter
• 50 presets covering Basses, Strings, Leads, and Woodwinds, by Director of Sound Design James Terris
• Standard for Both Instruments
• Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global)
• Cherry Audio's popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
• Complete documentation available directly online from the instrument or in downloadable PDF format
• User-adjustable oversampling control

Standard for Both Instruments

• Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global)

• Cherry Audio's popular Focus zoom-in feature, as well as standard UI zoom and resize via drag

• Complete documentation available directly online from the instrument or in downloadable PDF format

• User-adjustable oversampling control