The String Collection II

Seltene und begehrte Vintage-String-Synthesizer

Für diese Kontakt Library wurden etwa 30 Instrumente aufgenommen, wobei Hideaway Studio versuchte eine Reihe grundlegender Synthesemethoden zu verwenden, darunter Divide Down/Formant, klassische subtraktive, DCO-, digitale FM- und additive Synthesemethoden sowie einige Röhrensynthesetexturen von drei Vintage-Synthesizern.

Zu den gesampelten Synthesizern zählen der DK Synergy und der äußerst seltene Mulogix Slave-32, Rhodes Chroma, Rev.4 Octave Voyetra Eight, Farfisa Syntorchestra, ProphetVS, Elka Synthex, Oberheim OB-X und Matrix 1000, Korg PS-3100. Des Weiteren wurden die Röhrensynthesizer Hammond Novachord, Jennings Univox J6 und ein modifizierter Cordovox CG-1 gesampelt.

Weitere Details in englischer Sprache:

The String Collection Ethos

As with all of my Kontakt instruments, the ethos behind them is not so much an attempt to capture and recreate the past but an opportunity to present the original source material as textures, elements and building blocks in order to create something new. At the same time, hopefully some the original beauty and character of these rare and vintage instruments and equipment is retained.

A long time in the making, Hideaway have been wanting to release for some time now a sequel to one of their most popular Kontakt instruments to date which has been a personal favourite of Hideaway since the beginning. As they are sure many are aware, they have always had a bit of a soft spot for evocative cinematic synth strings, and especially pseudo realistic string ensembles. It has been very exciting for them that some of these string ensembles and textures have found their way into a number of major music productions around the world.

Hideaway's  original String Collection was largely based on early string synths such as the ARP Omni and the Eminent 310U. They wanted to add several new offerings from several other families of synthesizer. The reasoning behind this was an attempt to broaden the sonic territory in what has proven to be a remarkably effective and easy to use layering engine. Some extra elements from my beloved 1938 Novachord #346 have been introduced including a very "warts & all" string timbre straight from the beast. Such elements may sound a little too antique to some in isolation but can form a remarkable secret element when layered with others in the layering engine. It is hard to believe this quarter ton 163 tube monster is 80 years old this year!

Please note: The FULL version of Kontakt 4.2.4 is required.